This girl’s bedroom was such a fun project. The little girl for whom the room was designed is a girly girl, but is she is also artsy, active, outgoing, and makes plenty of messes. She loves the color pink, animals, and the Beatles. Her inspiration room was the bedroom of the Julie Albright American Girl doll, whose storyline takes place in the 1960’s.
I wanted to incorporate as much pink in her room as possible, but mom wanted to keep the walls neutral. They also wanted to repurpose a few pieces of furniture that were vintage pieces. I used Sherwin Williams “Blush” to paint the vintage nightstand and desk the same color. The mid-century style headboard is upholstered in a bright pink that coordinates with the textiles. She also needed a lot of storage for her toys. We used a cube storage system with brightly colored bins, some with ric-rac detailing.
Mom also wanted flooring that was easy to clean and that could be covered or easily removed later. I selected glue-down cork tiles, which can also be used as a sub-flooring. Cork is a great product that helps with acoustics, is always warm underfoot, and helps control dust. It’s easy to keep clean, especially for a kid that does a lot of art projects in her room.
Inspiration & Details
She’s also a big fan of the Beatles so I wanted to incorporate some hippie elements. The wicker hanging chair, peacock paisley fabric, lava lamp, and faux fur accents give the room a boho-psychedelic vibe, but the cool calming colors, vintage bookends, matroishka dolls, and ric-rac details on the storage bins remind you that a little girl lives here.
My favorite detail is the pom pom trim on the custom window treatments and the peek-a-boo contrast fabric in the pleats. What’s your favorite detail? Let me know in the comments below!
If you’re thinking about redecorating or re-styling a space in your home, call Paradigm Interiors! You can schedule your Design Style phone consultation here. And don’t forget to follow us on Facebook and Instagram!
People are hot and cold regarding leftovers… Pun intended. When it comes to food I think of leftovers as a meal I don’t have to cook. When it comes to design, that’s another story.
What is waste?
I’ve yet to have a job where there was no leftover product. Trust me, designers hate leftovers as much as clients do! However, most of the time they are a necessity. In design school we learned about a concept called “waste”. Normally, waste is something we try to avoid, but in the home goods and home improvement industry it is a good thing. In my industry, waste as a concept means a designer orders a set amount of materials in excess of the surface area to be covered. The waste concept works under the assumption that we will need more product than the size of the surface area to be covered because items have to be cut or a pattern needs to match. Ordering materials in excess assures that we will get the job done on time and, even more importantly, that end product looks good!
What happens when there’s not enough?
There are two issues with not ordering enough product up front. The first problem is time. For example, the tile installation occurs near the end of a bathroom remodeling project. We’ve installed most everything, except the tile flooring. The tile installer comes to the job and begins to lay the tile, but then runs out of tile when he’s 90% done. We then need to order Extra tile. We have to wait for the tile to arrive. Then, we have to wait for the installer to find time in his schedule to come back and finish! Depending on his schedule, it could take several days to weeks to get him back on the job! The designer isn’t happy, the installer isn’t happy, but most of all, the client is not happy!
The second problem is color match. Manufacturers make most products in batches. This includes everything from fabric to tile. These batches are called dye lots. If I order a fabric today that was the last of it’s batch, and I have to order more of the same fabric that is from a different batch or dye lot, then there is a risk that the 2 fabric pieces will not match. This might not be noticeable if the different dye lots are on window treatments or pillows on a sofa. However, if it is two adjacent cushions on a sofa or two pieces of wallpaper that are next to each other, the mistake will be pretty obvious.
How much are we talking about?
Waste amounts vary from product to product and by use. For example, you will need more waste for a large patterned wallpaper than you will for something textured with no discernible pattern . The way you use the material will also change the waste. Typically, you need to calculate a 10% waste for stack bond (straight) or running bond (brick) tile pattern. However, if you turn the tiles on a diagonal, you will need to calculate a 15% waste. So, you may end up with half of a box of tiles at the end of your job.
Believe me, I celebrate when I have minimal waste. I’m always happy to hand a client 6″ strip of fabric when the project is complete, but that doesn’t always happen. More often than not, there is an excess of materials. However, when the client loves the way their home looks, it worth it!
I hope you enjoyed learning about waste. If you’re thinking about starting a design or decorating project, you can book your complementary Design Style phone consultation with Paradigm Interiors here. Be sure to check out our website and sign up for the newsletter here.
We completed this beautiful guest bath remodel in March. The family of four wanted the room to be welcoming to guests, while still functional for the children. The challenge with this bath is that the family didn’t want to change out the flooring tile or the tile surround in the tub/shower combo because both were in great condition. However, the tub itself was not in great shape and needed to be addressed. We had to work within the color palette of the existing tiles and make the backsplash and vanity not look like separate spaces, while still giving the space a contemporary and updated feel.
We created harmony by pulling out the gray and blue tones in the floor tiles and using those colors in the paint, mixed mosaic tiles, and cabinets. The white 4×4 tiles in the backsplash echo the white 4×4 tiles in the tub surround. The vertical application of the mosaic tiles give the vanity area some height by moving the eye up the wall. The mosaics almost have the look of a waterfall.
We added contemporary touches with the lighting, hardware, and plumbing fixture selections. Although shaker cabinets are a traditional choice, they have clean lines that work with with the contemporary accents. The light, muted, coastal blue color ties everything together and creates a soft spa-like feel. The vintage surf prints, framed in a gray driftwood add a final coastal touch.
To address the issues with the tub, we simply re-glazed the tub, giving it a fresh, bright new finish. The tile flooring and grout were cleaned, breathing new life into the old floors. We also added crown molding to coordinate with the rest of the home and give the space a crisp finished look.
If you’re ready to remodel your bathroom and love the look of this space, give Paradigm Interiors a call! Or schedule your complimentary Design Style phone consultation here.
It’s such a great look, that’s why you’ve seen it everywhere for the past 7 or 8 years. Most frequently, you’ve probably seen it in a transitional-farmhouse style. Usually, it’s a gray and white kitchen. However, the look has also been popular in other color combinations and in contemporary style kitchens as well. Popular combinations of this trend are the top-bottom combo, where the bottom cabinets are one color and the upper cabinets are another color. The accent furniture combination, where a china display or accent area area is a different color than the rest of the kitchen. The other combination, and probably the most popular, is the island-as-furniture combination. Images of these looks are below with photo credits hyperlinked.
Of these three looks the island-as-furniture look probably has the most staying power. Historically speaking, the island got its humble and practical start as a work table in 19th century Victorian kitchens. Thus, an island that is a different color and looks like a separate piece of furniture is nod to history.
My verdict on mixing cabinet colors: Classic, but it depends on how you do it!
Because I believe in creating timeless spaces, I think of “trendy” as something that looks outdated fairly quickly. Just because something is popular doesn’t always make it trendy. A lot of things can make a kitchen look dated: color scheme, counter surfaces, backsplashes. However, a true classic is something that speaks to the past in a timeless way. Kitchen islands with a furniture look are classic because they have they do just that.
If you’re ready to create a timeless classic look in your kitchen or bath, you can schedule your Design Style Consultation here.
It is decided. You’re going to remodel your downstairs. You’ve been living in the 90’s for way too long. You want a whole new look: new kitchen, new window treatments, new powder room, new color scheme, new furniture…
On second thought, wait… I really love that sofa and those chairs are classic and if I just re-upholstered them then it might shave a few bucks from the project…
Maybe. Maybe not. Re-upholstering a piece of furniture can be a great idea if you are doing it for the right reasons. I am always for anything that keeps old sofas out of our ever expanding landfills. However, re-upholstering your favorite sofa isn’t always the best move. First of all, your beloved sofa may not be a great candidate for re-upholstery. Secondly, it may not save you a lot of money. Upholstery work and upholstery fabric can be quite expensive. If, your sofa or chair isn’t of sufficient quality, then no amount of fabric will extend its life. It can be hard to assess the quality of a piece of furniture when it’s covered in textiles. Determining if re-upholstery is a good option (or not) can be quite the design dilemma.
So, how do designers decide which pieces are fit for re-upholstery? These are a couple of the things that help me decide if re-upholstering a piece is a sound option.
The 3 C’s of Re-upholstery:
Coils (& cushions). The first thing I do is attempt to assess the quality of the piece. I start by sitting on it. Seems like a no-brainer, but if there’s too much movement in the piece, then it’s probably not structurally stable and should not be re-upholstered. I walk around the piece and wiggle it. Does it move from side to side? Do all the legs sit evenly on the floor? If there’s too much lateral movement or if the legs are loose and don’t sit evenly, it’s probably not a good candidate. I remove any unattached cushions and rub my hand across the back and seat to feel the spring system. If the springs seem high and tight and aren’t sunken, then re-upholstery might be possible. I l will try to lift the piece to see underneath. I also check the quality of the decking, which is usually a neutral or plain piece of canvas or other sturdy material that covers the spring system. This can give an idea of the overall quality and condition of the structures that support the seat.
Then, I will attempt to examine the underside of the seat. This should be covered in a thin neutral colored cloth called a dust cover. If the client is ok with me taking a peek, using a staple remover, I will pull away part of the dust cover and try to get a look at the springs (coils) from the underside. It can be stapled back in place when I am done. If I see eight way hand-tied springs, this is a great sign. If the eight-way hand tied system is in good shape, then re-upholstering is an option. Sinuous springs, not so much, but a lot depends on the age of the sofa and the condition of the springs, though most seating with sinuous springs won’t be a good candidate for re-upholstery.
The last thing I do is look at the quality of the cushions. This can be accomplished by unzipping the cushions and taking a peek. If The cushions can be re-filled, but high quality sofas will often have an inner coil cushion that is kind of like a little mattress. If the cushions are in good shape and can be re-used, then re-upholstering is a safer bet.
Customization. The question here is can you find the sofa you love in the fabric you want. If you want a fabric that doesn’t come on a sofa you can buy in a store, then re-upholstering is probably a good idea, if you meet the quality criteria. Also, if you had a custom sofa with a shape you loved or that specifically fit an area in your home, like a curved sofa, then re-upholstery might be a good option. This is especially true if the custom sofa is still in great condition.
So what should you do if you want a specific fabric and love the shape and size of your current sofa, but the sofa you want isn’t in great condition? Have a custom replica made. A designer who has access to custom upholstery furniture manufacturers can help you place an order for a high quality sofa that meets your needs.
Cost. If you’re primary reason for re-upholstering a sofa is to save money, you might want to reconsider. It’s not always less expensive to re-upholster. The cost of labor to re-upholster can vary, but it’s pretty consistent among most upholsterers. You can usually expect to spend between $700-1500 for basic re-upholstery labor of a full sized sofa.
If you are re-upholstering a custom sofa that cost $3000+ upon purchase or a cherished heirloom, then re-upholstery will likely be less than buying a new sofa of the same quality and customization. However, a lot depends on the quality, condition, and size of the sofa, and the fabric you select. If any foam needs to be replaced or anything needs to be repaired, the cost will increase. Upholstery fabric can range in cost from $40-50/yard up to $400-500+ per yard. Most sofas require 18-25 yards of fabric, depending on whether the pattern has a print and how large the print is. You could spend thousands of dollars on the print alone. It’s easy to see how those costs can add up, making re-upholstery more a labor of love than a budget friendly option.
In the end, the decision to re-upholster requires a lot of information and careful decision making. What has your experience been with re-upholstering?
If you’re ready to re-decorate a space and want to include re-upholstering a cherished piece of furniture, contact Paradigm Interiors for your complementary Design Plan Consultation (click here).
The design process is tedious. Well, up front it’s exciting. It goes something like this:
You hire your designer. It’s so exciting. He/she has fantastic ideas.
You get your drawings and boards and you can just see the magazine perfect home of your dreams taking shape.
You get the proposal and after your done choking a little bit at the price tag, you decide it’s totally worth it and you press the “go” button
Then… it’s a lot…of…waiting…
You feel abandoned, but you’re still getting bills from the designer!!
You start wondering, “Why is this taking so long!!”
I’m not sure if anyone has ever used the exact words, “Why is this taking so long,” but heaven knows it’s been written on the face of every single client with whom I have worked, even when I think I’ve set pretty good expectations of how the process works. Nonetheless, the process is slow and there is a period of time where it feels like it will never end.
It does end and when the final reveal happens its always well worth the wait, but let’s look at the top three reasons interior design projects take so darn long…
Reason #1: People, people who need people are the slo-oh-west people in the world…
Isn’t that how the song goes? No? Well, it should be. Most interior design projects involve multiple trades and craftsmen. The more human hands that need to touch your project, the longer it’s going to take because there is a lot of coordination involved. Let’s take a great room (kitchen, family room, breakfast nook) remodel for example. If we were to do a full kitchen remodel, wall coverings, window treatments, lighting, furnishings, and accessories, then there will be no less than 10 different groups of professionals and no less than 10-15 vendors involved in the project. For example, the designer (pro #1) will work with the following trade pros:
Contractor/carpenter to install the cabinets, backsplash, and any flooring
Counter surface installer
Wall covering installer
Window treatment work room (at least one)
Window treatment installer
Receiving and delivery warehouse
Her design assistant or a handyman
For every trade, there is usually a vendor to work with who will supply equipment. In this case, those would be:
With me those last three are likely to be numerous because I pull from many sources for my designs, which gives every room a rich, curated look.
Reason #2: Follow my lead
Lead times are the amount of time between ordering a product and delivery. Lead times vary depending on how high-end and custom the products are. Typically, cabinets and custom furniture have the longest lead times, which is usually 4-8 weeks. Other furniture can take a week or two, but when purchased wholesale, as most designer do, the furniture makes a pit stop at a receiving warehouse. Delivery of all of the furniture will be scheduled for one day. Therefore, if you have a mix of custom and non-custom furniture, all of your furniture will be delivered after everything arrives. And forget it if something comes damaged! That extends your lead time by at least 2 weeks.
Then, there is a systematic order to completing the project. It begins with the design process, the exciting part, and goes into the demolition and construction phases. The demolition happens first, which can’t happen until the cabinets have arrived and been inspected. Then, the rebuild of the kitchen, which will include the electrical and plumbing work. The final pieces of the kitchen remodel are the installation of the counter and then the backsplash. After the remodeling portion is complete, the painters will paint the entire great room area and the wall coverings can be installed. Finally, the furniture, rugs, art and accessories can be installed.
If any one of these pieces is delayed, the whole project goes off course.
Reason #3: Stuff Happens
Murphy’s law, right? When you have this many humans working on a project together, stuff is just going to happen. And I know you know what “stuff” I mean…
I have yet to work on a project where everything was perfect. I listen to the podcasts of top notch multi-million dollar a year designers who’ve been in business for 30 years and you know what they say? Stuff happens. Stuff happens on every project. Even with a sound design process, stuff happens.
Sometimes trade pros have conflicts so they can’t show up on schedule. Sometimes they have to back out of the job. Items show up damaged. Colors don’t turn out right. Vendors don’t put the correct information on an item. Warehouses lose things. Stuff happens, but in the end everything gets done, maybe not on the anticipated timeline, but they’re done and the end result is beautiful.
The best I can do is hold my clients’ hands through the process, reassure them, and try to give them the best experience even with all the “stuff” that can happen.
My Client: “Wow! I just saw the most amazing kitchen! It had navy blue cabinets, marble countertops, white subway tile and gorgeous matte brass accents… I love those gold toned accents, but do you think that’s too trendy?”
Me: “uuuuuummmmm…” head scratch, reads clients face carefully, “maaaaaaybe…”
Seriously, I walk a very fine tightrope between not offending my clients and telling them the truth. That usually means that I have to suppress my inner Julia Sugarbaker and stop myself from railing about the virtues of timeless, classic design. That is my design philosophy. Build the design with a foundation of timeless classic pieces and add bits of color and trend like sprinkles and the cherry on top of a sundae. I work to help my clients identify on a deep level what their personal aesthetic is. We work together to identify their core style, which trends are resonating with them, and how we can create a unique look using this information.
When I get a request that is filled to the brim with trend, I hit my internal pause button.
To set the record straight, I don’t think marble counters are ultra trendy. Nor do I think subway tiles are trendy. In fact, history tells us that they are very classic looks. Also, don’t misunderstand, I also LOVE the look I’m describing. However, navy blue cabinets and brass fixtures are BOLD choices. Most people would get tired of looking at them day after day. Then, they go into “I HATE this mode”. If you have money to spend re-vamping your kitchen every time you become overwhelmed or bored, then go for it! If you live in a different demographic, my advice is choose one trend that is inexpensive and easy to reverse.
In this case, that item would be the brass fixtures. Although drawer pulls, lighting, and plumbing fixtures are not inexpensive, especially not the new gold toned finishes, they are less expensive and easier to replace than cabinets.
Looking to the past always gives us an idea of what has staying power and what is trendy. In that case silver tones rule, particularly for plumbing fixtures. As we look back in time, the gold tones come and go, but the silver tones seem to be a constant. As hardware for doors and lighting, brass finishes have some staying power, typically the flat or brushed finishes have had a little more staying power. We’ve seen gold tones come and go throughout the American Colonial, Victorian, Art Nouveau, and Art Deco periods. The last time brass and gold tones were popular was in the 1980’s and that time around nearly ruined the Baby Boomer and Gen Xers taste for gold metals because that round of brass was somehow extra brass-y… and extra offensive. Alas, 80’s nostalgia is back – music, movies, fashion, television – and with it come the gold tones!
So, my verdict? TREND
…But, its a good trend, a fun trend that you can implement in small doses and enjoy until it fades. I’m going to give you three tips for incorporating it into your kitchen or bath.
Tip #1: Mix It Up
Right now it’s totally cool to mix metals, so you can add some lovely brass accent lighting to your chrome and stainless kitchen metals. The key is keeping everything balanced. If you add just one gold toned piece, like a matte brass faucet you’ll want to add some accessories in the same tone. You can use a brass toned basket or possibly a multi- brass tiered tray on your counter for a fruit display. Ideally, you’d want to repeat the color a minimum of three times to create harmony.
Tip #2: Light Up the Night
Use your lighting fixtures as your brass accent. In the picture below the designer has only used the brass color in the lighting, but the lighting fixtures are large enough to make a substantial contribution to the room. You can also use the above tip to round out the distribution of the color into your accessories if you like. However, the lighting alone is enough to make sense.
Tip #3: Get a Handle on It
Do just your door hardware – knobs, handles, and pulls – in a gold tone metal. This will be enough repetition to give a cohesive look, and again, it makes sense to just do these items as a stand alone metal. You can see that the designer only used the gold color in the hardware and used traditional stainless and chrome where they are appropriate. It looks fantastic. Hardware is relatively inexpensive, it can be easily switched out when you get tired of the gold, but they make a big overall impact.
Do you think you’ll try the matte brass/gold tone metal trend? You can shop the look here and here.
Are you still confused about how to add the look into your next project? Schedule your Design Style Discovery Consultation here.
By the way, none of these GORGEOUS kitchens are work that I have done. I am providing links to the source for each of these under the image. The boards are mine though and feel free to shop the look!
If you are in the market for a kitchen remodel, you may be wondering what to do with your kitchen cabinets. There are so many options out there: you can completely replace your kitchen cabinets, re-face them, or re-surface them. What do those terms mean? What is the difference between each? How much do they cost?
Knowing which is the best option for your kitchen is the tricky part.
When I work with clients this is a common predicament. Mostly, clients are trying to mind their budget, but often they are genuinely confused about how to move forward. To clear up the confusion these are the three things I usually bring to table.
#1 Cabinet Anatomy
I like to start with a little bit of education. Starting with the structures that make up a cabinet is usually a good first step. The first myth I usually dispel is that cabinets are rarely made entirely of solid wood. The second myth is that you don’t want them to be made of solid wood! Lets take a look at the drawing below:
The image on the left is the “box”. Think of the box as the skeleton or bones of your cabinets. Cabinet boxes are typically made of plywood, particle board, or MDF. This is a good thing! These composite wood materials withstand minor moisture changes better than solid wood, which will keep the box from warping. This is even more important in places with high humidity. The inside of the box is wrapped in a veneer or thin covering. Depending on the quality of the cabinet, that veneer can be a laminate or plastic veneer or it can be made of wood. Veneers also vary in thickness based on the quality of the cabinets. They can be a thin “sticker” type veneer or a several millimeters thick.
The image in the middle is the “face” of the cabinet. Cabinet faces are made of veneers. If you have wood cabinets, then your veneers will be made of the same wood and stained or painted to match. The veneers are the really important part of a re-facing job. I say that because the veneers that are part of your original cabinets were applied in a factory. The conditions in the factory are quite different than the conditions in your kitchen. Factories have a lot of environmental and quality control processes in place that ensure that the cabinets are free from defects. So, if you are thinking of refacing your cabinets, you have to consider that the veneers on the face of your cabinet may not adhere as well or may degrade more quickly over time because it wasn’t applied in a less controlled environment.
The image on the right illustrates the doors and the drawer. These are the most expensive parts of a cabinet. When refacing a cabinet, the doors will not be the doors fit to your cabinet in the factory. This may mean that the doors won’t fit as well or may not hang as well as the factory fit cabinets. Again, there are a lot of quality control measures in place in a factory that will not be in place when a local cabinet company comes into your home to do a re-face.
#2 What are your goals?
To really decide if you should re-face or replace your kitchen cabinets, ask yourself these questions:
Do I simply want to freshen up the look of my kitchen and make it look updated?
Are my cabinets giving me the storage I need?
Do I love the layout of my kitchen? Or do I need a more functional layout?
Do I want to move a wall to “open up the space”?
If you find that you want or need a more open and functional kitchen or if you plan to move or remove any structure, you may be facing a major remodel. In that case replacing cabinets will be your best, and possibly only, option. However, if you are just looking for a shorter term cosmetic update, re-facing your kitchen cabinets might be the right option for you.
#3 The “B” Word: Budget
Obviously, budget plays a big role in what you can do with your cabinets and kitchen. If you have a small budget of $15,000 or less, unless you have a very small kitchen you may not have the budget for a complete kitchen remodel. For a small kitchen you may also find that a major remodel isn’t even an option. You may want to focus on improving the cosmetics of the kitchen from the start. Re-facing cabinets costs around $90-125/linear foot of cabinets and new semi-custom cabinets start around $125/linear foot and go upwards of $300/linear foot depending on the finish, door style, and cabinet type. If you want painted or glazed wood cabinets with roll-out trays and deep drawers, you’re going to pay a premium price.
…And don’t forget to multiply that linear foot number by 2 if you want wall cabinets. So if you have 20 linear feet of wall space that you want to fill with base and wall cabinets, that include a pantry with roll out trays, deep drawers, a beautiful range hood, and a few wall cabinets with glass doors, you can expect to spend $12,000 to $20,000 on cabinets alone at most retailers.
Now, that you’ve picked your jaw up off the floor, it’s time to start planning your kitchen remodel and budget! Make sure to check out my post on counter surfaces here and you can grab a great guide for sampling paint here.
Or if you’re still struggling with your ideal style or planning your next project you can schedule your Design Plan Consultation here.
I see you there, standing in front of a wall with at least a half-dozen paint samples painted in 12″ squares. Completely confused. This one’s too dark. This one’s too blue. The last batch looked too yellow. You’re wondering how anyone ever picks the right color. Eventually, you pick one, it might even be a paint you never sampled; maybe it’s just the least offensive of the bunch. On a wing and a prayer you paint the room. Hopefully, it looks close to the color you had hoped for, but quite frequently, it doesn’t. It’s too bright or it looks like a completely different color once it’s on all four walls.
One of my client’s calls it the “color crazies”.
Why is the painting process so painful? For so many people, thinking about painting a room or two brings a level of anxiety that induces sheer panic. But it doesn’t have to be that way! If you arm yourself with a little bit of knowledge, selecting paint colors for your next project will be easy!
Step One: Read the chips
The first step in learning how to select paint colors like a pro is understanding how to “read” paint chips.
The most tinted colors are at the top of the paint chip and the most shaded colors are at the bottom. You can add black to any paint color (or hue) to make it a shade darker or white to any color to make it a tint lighter. Paint manufacturers, like Sherwin Williams and Benjamin Moore already offer you multiple shades and tints of a particular color, that’s why they have about 7 shades or tints for each hue. Typically, the paint you purchase at stores like Home Depot or Lowes, won’t have as many tints and shades for each hue, but you can ask them to add white or black to tint or shade the color to your liking. You can also tone down a bright color by adding gray.
Undertones are the hints of color you can see “under” the color itself. So, gray isn’t just black + white = gray and pink isn’t just red + white = pink. When you compare the various paint chips to each other you will see these undertones appear. This will also be most obvious in the darker colors on the chip. However, don’t be fooled! Those undertones will definitely show up when the color is on the wall, even in the lighter hues. I’ve had clients that are particularly sensitive to blue undertones in colors and if a color has even a hint of blue undertone, they’ll only see blue. If you know you prefer warmer neutrals steer clear of anything with a black, purple, or blue undertones and of you prefer cooler neutrals steer clear of anything with red, yellow, or tan undertones. Consider the undertone when selecting neutral paint colors. Look to the darker colors on the chip to more easily see the undertone.
Step Two: Flip your chip
Aside from the various tints and shades of your chosen hue, the back of the paint chip will also have some useful information. The most important information is the Light Reflective Value (LRV). Light Reflective Value is a scale that tells you how much light will reflect from the surface. The whitest white colors have the highest scores and the darkest black colors have the lowest scores. You will use this number to tell you how light or dark a color is when you compare it to white or any other color. The LRV will also give you a clue how dark or light the color will appear when it is on all four walls. You can use the LRV to help you with the next step.
Step Three: Prime first
You’ll want to put primer on your wall prior to painting samples on it. This helps reduce interference from the original wall color. You don’t need to prime the entire wall, a large section will do. This will eliminate any interference from the color your wall is already painted. For example, if your wall is a deep red color and you are want a light gray with blue undertones, the blue undertones will be exaggerated and the paint will look pale in comparison.
Primer will have an LRV of >/=90. When you put any color on top of the white primer it will look dark. Remember the LRV of the lightest color on the chip is around 75. So, that little patch of LRV 75 will be sitting there absorbing more light, while the primer will be reflecting almost all of the light. So, by comparison, the sample will look dark, but it’s not! An LRV of 60 or more is still quite light and once it is on all 4 walls it will reflect a lot of light. Conversely, if it’s a darker color it will absorb a lot of light and darken your room.
Paint the wall with primer first. Don’t paint the new wall color options directly onto the old color.
The lightest color on the chip is actually pretty light, but not as light as “white” colors.
Be aware of undertones. They may be pronounced when compared to white primer.
Don’t just compare your color to the stark white primer. Use your knowledge of light Reflective Value (LRV) to help you gauge how dark or light the sample will actually look on your wall.
Hopefully, these tip will help you take the pain out of your next painting project! You can download this information in my design guide called “3 Steps to Easier Paint Sampling” here.
Still feel like you need some help with your color selections? Schedule your Design Style Consultation with Paradigm Interiors here.
Awkward rooms. Everybody has them. Even the most well designed custom homes. That one room where you just can’t figure out where to put the furniture to make the space work. I have one. In my house it’s my office and sometimes I’m still not sure if I’ve found the absolute best solution, but I have managed to find some balance and function.
So, what do you do with those awkward rooms? A few design “rules” can help you figure out your best approach for furnishing those spaces. The first step is using good space planning guidelines. If you like to entertain, like I do, you will want to make sure that there is enough room for everyone to move around in the space. The most common rooms for entertaining are the living room, the dining room, and the kitchen.
Earlier this week, I posted video and table that had furniture spacing information for these rooms. You can access them here.
The other problem with awkward rooms is finding a way to create visual balance. The easiest way to create a balanced look is by using symmetry. Symmetry is by far the preference of most people. However, if the awkward space your designing just isn’t conducive to symmetry, then you’re probably wondering how to achieve balance without symmetry.
It’s not as hard as you think!
It’s all about weight. Every single object in your home has visual weight. There are several elements that give something visual weight. The obvious elements are shape and size. A tall object has more visual weight than a short object. Squares and rectangles seem heavier to the eye than curved and rounded objects. However, texture and color can also effect the visual weight of an object. Think of a brown faux fur pillow versus a cream colored silk pillow.
Or an organic live edge wood table versus a chrome and glass table.
Even though they may have similar dimensions, one appears heavier than the other.
So, lesson one in balancing your awkward rooms is to use items with a similar visual weight. An example would be to balance a light colored, smooth velvet sectional sofa with 2 side chairs in a coarser, darker fabric, like in the image below. Although the chairs don’t take up as much physical space as the sofa, the dark blue color makes them look heavier. This contemporary mediterranean room is a recent project where I used this this technique to create balance.
The other major factor in creating balance in awkward rooms is space. You can use the space around an object to help create balance. This one is a bit of a head scratcher, but think about a really great gallery wall, like the one below. The designer has used the framed art to create balance, but she has also used the space between the art to achieve a balanced look.
Here’s another example with a furniture layout.
What challenges have you faced in your awkward rooms? Will you be able to use balance and space to help you make your room less awkward? Still not sure? Give Paradigm Interiors a call or schedule your Design Style Consultation here!
You can shop the Contemporary Mediterranean look here.